New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. The company, which shies away from musicals, had to scramble to find a music director to arrange the two arias. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. Maggie. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. It was universally acknowledged that he sang like a angel, but apparently he wanted to prove it. Research Playwrights, Librettists, Composers and Lyricists. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986. Please enable JavaScript to experience Vimeo in all of its glory. Cedar Street Players, Julia at Max navigates the company through one catastrophe after the next -- an angry wife, a presumed death, crazy costumes, secret sex romps, and loads and loads of slamming doors and mistaken identities -- and, ultimately, takes on the role of Otello to great effect. Ill have to make an announcement of course. For the musical adaption, see, "'Opera Buffa' is comedy hit of the season for American Stage Festival. "- Desert News, "One of the funniest comedies ever written. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. To achieve the bold 1930s art deco set of black, white and red and coordinating costumes that add to the production's sleek and elegant effect, costume designer Lindy Davis combed thrift shops and theater companies for authentic period clothing. Saunders is furious. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. Every aspect of the internet, we believe . Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. Gain full access to show guides, character breakdowns, auditions, monologues and more! The 21-year-old company's other productions include "Cafe Theater," opening in March, and Carl Reiner's "Enter Laughing," slated for May. A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. You can see four different versions of it and enjoy each one.". As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. By the time we reach the endwellits not over. Hello Ken!Wow! Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway. One thundering orgasm of insane violence! The play was produced on both the West End (1986) and Broadway (1989). After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. And bring your running shoes because once we start, we arent stopping! I can't open sardines and answer the phone. Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. [7][8] The revival closed its limited run on August 15, 2010. "I hope this is helpful. Ken Ludwig has written a crackpot comedy worthy of comic masters Preston Sturges, Billy Wilder or Howard Hawks. Acting Monologues . It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". Lend Me a Tenor will have audiences teary-eyed with laughter. Research Playwrights, Librettists, Composers and Lyricists. The star arrives late and, through a hilarious series of mishaps, is given a . As the play closes, Max and Maggie share a kiss. Lend Me A Tenoris set in September 1934. When they grabbed him he actually hit a policeman. Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. Description Lend Me A Tenor Act I Account 157.55.39.99. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. MUSIC BY BRAD CARROLL BOOK/LYRICS BY PETER SHAM. Gain full access to show guides, character breakdowns, auditions, monologues and more! A sequel titled Comedy of Tenors was written by Ludwig. "Then there is the singing. The aria becomes background music for the action happening on the other side of the stage when Maria finds Maggie in the closet. Vocal Part: Spoken. Sallie Roberts, as Julia, puts on the voice and air reminiscent of the pretentious society matrons featured prominently in the glamorous and/or screwball films of the 1930s. Wearing Tito's costume and makeup, Max will star in the opera performance. . Since no one else knows that Tito is dead, Max will step into the Othello role and pretend to be Tito. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. We don't currently have any monologues from Lend Me a Tenor . For the rest of the play, Max and Titowho are identical in their Othello costumes and makeupare repeatedly mistaken for each other, as they alternately run in and out of the hotel suite. Then Saunders gets a phone call, telling him that the police are downstairs in the lobby. The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. The play's success can be chalked up to its convoluted plot of witty dialogue, quick pacing, dual action and stirring operatic moments. version of LEND ME A TENOR in London, the opera was switched to Pagliacci with Ken Ludwig's permission . A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. Maggie: (20s to 30s) Max's Girlfriend - pretty, quirky; a young woman who doesn't want to . "Men are hard to get in community theater and here are three demanding roles. Oh my god. Partner Sites Youtube to Mp3 Converter About Us This project started as a student project in 2014 and was presented in 2017. Join StageAgent today and unlock amazing theatre resources and opportunities. IBDB provides records of productions from the beginnings of New York theatre until today. Tickets are $7 for seniors and students. Five doors, primed for slamming, in a single hotel suite. When she finds Maggie hiding in the bedroom closet, trying to get Tito's autograph, Maria angrily assumes that Maggie is Tito's secret lover. Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. At the end of the play, things are sorted out. The Broadway League is the national trade association for the Broadway industry. Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. (Unbeknownst to either of them, Tito accidentally takes a double-dose of tranquilizers.) VOCAL SCORE LONDON JUNE 2011. . While Maria pouts in the bedroom, Tito joins Max in the living room, but not before accidentally overdosing on sedatives. Alan Harbaugh is equally entertaining as the sarcastic bellhop. The opera performance will have to be cancelled, and the audience will demand their money back. Leigh Anne Hamlin performs one of. . Alas, Tito arrives late, his tempestuous wife Maria has a fit of jealousy, and it remains to be seen whether Saunders' mousy but determined . The play's split set and split-second timing offered several challenges for Ms. Romaine. Michelle Madison, as the sexy opera singer Diana who, in a calculated career move tries to bed down Tito, shows deft, comedic timing. Register. I mean, I just want to be helpful. At that moment, the handsome, charismatic and heavily accented "Il Stupendo" makes a dramatic entrance with his equally dramatic, hot-tempered wife, Maria. For actor Bill Cookson, who plays Tito, learning the lines and keeping the pace required more work than understanding Tito's motivation. Saunders and Max try to go on with the show despite the array of women hiding in bathrooms and closets. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. It will be a disaster for the Cleveland opera, and for Saunders himself. Make Salome look like The Merry Widow!To ask Ken a question, click here. "- The New York Post, "[A] three-ring circus of chaos involving celebrity worship, backstage shenanigans and mistaken identities. College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. His pulse is so low that Saunders and his assistant Max believe hes dead. Join StageAgent today and unlock amazing theatre resources and opportunities. from Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" Gain full access to show guides, character breakdowns, auditions, monologues and more! Aurora University Theater. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. "We look for comedies that are fast-moving and designed for good opportunities to laugh. Part Size: Lead. Saunders' harried assistant, Max, is also in the hotel suite. As the curtain falls on Act One, Saunders and Max leave for the performance, just as Tito wakes up in the bedroom. Tito finally arrives at the hotel suite, accompanied by his hot-tempered Italian wife, Maria, who is jealous because Tito flirts with other women. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. History Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. . ", "The Show Must Go On: Lend Me a Tenor, with LaPaglia, Shalhoub and Bartha, Opens on Broadway", Review: Performances of Comedy of Tenors and Bandstand, "Alley Theatre Official Website - Lend Me a Soprano", "Merc cancels fall production of comedic 'Lend Me a Tenor', "Memphis, La Cage, Zeta-Jones, Finneran and More Are Outer Critics Circle Award Winners", https://en.wikipedia.org/w/index.php?title=Lend_Me_a_Tenor&oldid=1111613206, Pages using infobox play with unknown parameters, Creative Commons Attribution-ShareAlike License 3.0. Still do the performance? New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Monologues for Women; Comedic; . Take a look at our [2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall, Tito Merelli at Join StageAgent today and unlock amazing theatre resources and opportunities. The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. On a very important night for the Cleveland Grand Opera Company, Tito Mirelli, the world-famous Italian tenor, is set to perform the starring role in Otello. Sign up today to unlock amazing theatre resources and opportunities. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. She has a great admiration for Tito. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. A musical adaptation was presented in May 2006 as a staged reading as part of the Utah Shakespearean Festival's New American Playwright Project, in Cedar City, Utah, followed by rewrites and a production as part of USF's Summer 2007 repertory season, which received rave reviews. Sign up today to unlock amazing theatre resources and opportunities. Jillian Vitko. Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. I suppose we'd better go. We don't currently have any monologues from Lend Me a Tenor. Lend Me a Tenor is a comedy by Ken Ludwig. Lend Me a Tenor.script.acti. temporary. Gender: Female. The play opened in a revival in New York City on April 4, 2010 at the Music Box Theater produced by The Araca Group,Stuart Thompson,Carl Moellenberg,Rodney Rigby,Olympus Theatricals,Broadway Across AmericaandThe Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President) with the following cast: MAX - Justin Bartha; MAGGIE - Mary Catherine Garrison; SAUNDERS - Tony Shalhoub; TITO - Anthony LaPaglia; MARIA - Jan Maxwell; BELLHOP - Jay Klaitz; DIANA - Jennifer Laura Thompson; JULIA - Brooke Adams, Directed by Stanley Tucci; Set Design by John Lee Beatty; Costume Design by Martin Pakledinaz; Lighting by Kenneth Posner; Sound Design byPeter Hylenski; Hair and Wig Design byPaul Huntley; Make-Up Design byJoe Dulude, II; Associate Scenic Design:Kacie Hultgren; Associate Costume Design:Sarah Sophia Lidz; Associate Lighting Design:Aaron Spivey; Associate Sound Design:Keith Caggiano, ArtZany: Lend Me a Tenor with director Marc Robinson, LEND ME A TENOR Is Frantic, Frenetic Farce at Theatre Harrisburg, Ask Someone to Lend You a Ticket to LEND ME A TENOR. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . The first review, in the NH Derry News, called it "one of the most brilliant and inspired new comedies this year. It was directed by Larry Carpenter. It starts spinning early in the show and just never stops. Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. Together, you have a recipe for comedic disaster. The understudy. Search all monologues from plays. A Broadway revival opened in 2010. They're sending two of their men over to keep an eye out. I am very excited that Im making my directorial debut at the Duluth Playhouse with this crazy, crazy show. The cast featured Ron Holgate (Tito), Anna Nicholas (Maria), Edward Hibbert (Bellhop), Denis Lawson (Max), Jan Francis (Maggie), John Barron (Saunders), Gwendolyn Humble (Diana), and Josephine Blake (Julia). Maria storms out just before Tito falls deeply asleep. Seeking 2 Actor Team for Spring Click the start the download. The winner of two Tony Awards and four Drama Desk Awards has. Maggie is a fan of Tito Merelli, and hopes to meet him. Take a look at our library of free monologues . Singing is not required for any role, however, if Tito and Max can sing, we may switch to live performance singing as opposed to recordings. Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. A center "stage wall" divides the two rooms, with a door leading from one room to the other. The ultimate operatic experience! Yes, that's five doors on the stage of the Music Box Theater, where a revival of Ken Ludwig's "Lend Me a Tenor" opened Sunday night. General admission is $8. Maggie . Possum Point Players, Tech Crew at Portrayals Overview; Characters; Videos; Monologues; Scenes; . [a] It's the biggest event in the Cleveland Opera's history. Lend Me a Tenor guide sections. Throw in Diana, an ambitious, female co-star; Maggie, Maxs giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Titos attention. This page was last edited on 21 September 2022, at 23:34. AUDITION REQUIREMENTS: Please bring a current headshot & resume. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. I- I could tell him that you're looking for him. MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. But these are just some of the backstage goings-on during a night at the opera in the hit comedy, "Lend Me A Tenor.". In a frantic attempt to salvage the evening, Saunders persuades Max to get into Morellis Canio costume and fool the audience into thinking hes Il Stupendo. Max's performance as Othello was a huge success, and no one suspected that he was not Tito. Anoka-Ramsey Community College, Maggie Saunders at History. Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. 2001 - 2023, The Broadway League, All Rights Reserved. New York, NY, Linda Ray They'll start arriving any minute now. Host virtual events and webinars to increase engagement and generate leads. The Columbia Community Players will present "Lend Me a Tenor" at 8 p.m. today and tomorrow, and Nov. 4 and Nov. 5 at Slayton House in Columbia. Search. Monologues from Plays. "- Glendale Theater Examiner. The play takes place in 1934, in a hotel suite in Cleveland, Ohio. trying to stab himself with a wine bottle). [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. Tito and Maria leave together, while Saunders accompanies Diana to a downstairs reception. [11], In 2019 the official licensed performance script was revised by Ken Ludwig, removing all references to Otello and replacing them with Pagliacci.[12][13]. Research Playwrights, Librettists, Composers and Lyricists. Research Playwrights, Librettists, Composers and Lyricists. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Maggie Saunders at Cedar Street Players . New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall "We made a conscious decision to stay away from theater that's thought-provoking and asks serious questions," said Steve Moore, president of CCP. And Im doubly excited that its performing on the newly-renovated NorShor stage. The temperamental Tito is played so well by Mr. Cookson, who, with rich voice and gobs of stage presence, makes it difficult to believe that he is not a professional opera singer. "We had to make it look smooth and natural when, in fact, it was highly choreographed," Ms. Romaine said. The play was first presented in New York City on March 2, 1989 at the Royale Theater by Martin Starger and The Really Useful Theater Company with the following cast: MAX - Victor Garber; MAGGIE - J. Smith-Cameron; SAUNDERS - Philip Bosco; TITO - Ron Holgate; MARIA - Tovah Feldshuh; BELLHOP - Jeff Brooks; DIANA - Caroline Lagerfelt; JULIA - Jane Connell, Directed by Jerry Zaks; Set Design by Tony Walton; Costume Design by William Ivey Long; Lighting by Paul Gallo; Sound Design by Aural Fixation. Other side of the season for American stage Festival, Milford, new Hampshire on August 15 2010... Rooms, with the show despite the array of women hiding in bathrooms and closets edited on 21 2022... And generate leads, Tito receives a double dose of tranquilizers through a series... Other costume ready to perform - Desert News, `` one of the brilliant. To keep an eye out look for comedies that are fast-moving and designed good... Any monologues from lend Me a Tenor was first presented at the Duluth Playhouse with this crazy, show! Playing the starring role instead play was produced on both the West lend me a tenor maggie monologue ( 1986 ) and Broadway 1989... 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